Calligraphy styles – Log Protect http://logprotect.net/ Sun, 19 Sep 2021 16:28:18 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://logprotect.net/wp-content/uploads/2021/07/icon-2021-07-29T151759.208-150x150.png Calligraphy styles – Log Protect http://logprotect.net/ 32 32 Creative capital: Queen Macaron of Singapore now creates colorful clothes “with love” https://logprotect.net/creative-capital-queen-macaron-of-singapore-now-creates-colorful-clothes-with-love/ Sat, 18 Sep 2021 22:20:00 +0000 https://logprotect.net/creative-capital-queen-macaron-of-singapore-now-creates-colorful-clothes-with-love/ I’m designing all the products right now, but you can imagine running a business wouldn’t be possible without a team or collaboration. I hope to extend it in the future. Our values ​​guide the type of products we manufacture, whether ready-to-wear, made-to-measure or made-to-measure. This allows us to be more aware of the quality and […]]]>

I’m designing all the products right now, but you can imagine running a business wouldn’t be possible without a team or collaboration. I hope to extend it in the future.

Our values ​​guide the type of products we manufacture, whether ready-to-wear, made-to-measure or made-to-measure. This allows us to be more aware of the quality and quantity of the products we manufacture. We abhor wasted production scraps and collaborate with like-minded organizations to create employment opportunities

TAKE ME THROUGH A TYPICAL DAY OF YOUR LIFE.

I try to start my day early at 6:30 am. I drop my kids off at school before leaving for a quick breakfast. I’m usually at the office at 7:30 a.m.

My to-do list includes planning and posting branded social media content, planning and testing designs, reducing supply and production orders, resolving quality issues, researching new designs and new materials, as well as the fulfillment and packaging of customer orders.

If I can’t finish work in the office, which I often do, I take it home, skipping lunch while I continue to check my kids on their schedules by getting them to where they need to be.

Along with the reshuffle, I might have staff meetings or discussions with outside parties at least three to five times a week to check on how things are going on other sides of the company.

In the evening, I check that dinner has been prepared. Our whole family gets together for the meal, which is so important since it is the only meal we have together.

After my husband and I put the kids to sleep, I usually finish more work – smocking, sewing bows and accessories, answering customer questions and preparing to fulfill customer orders via our courier services. . I’m usually in bed at midnight or 1 a.m.

Even though I sometimes work on weekends, I try to find a balance since it’s my time with the children. We do our best to be free to study and work for at least 24 hours. Weekly rest has become so essential.

DO YOU HAVE A HERO OR SIGNATURE PRODUCT?

Design-wise, we’re known for our range of hand-smocked heirloom dresses, each named after Royal Princesses: Charlotte, Victoria, Eleanor and Alexandra. Our Narumi dress with Broderie Anglaise collar and our bespoke Carina smocked cheongsams for women are also in demand.

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Newport Vineyards, Carolyn’s Sakonnet Vineyards Dessert Wines for Fall https://logprotect.net/newport-vineyards-carolyns-sakonnet-vineyards-dessert-wines-for-fall/ Sat, 18 Sep 2021 17:00:27 +0000 https://logprotect.net/newport-vineyards-carolyns-sakonnet-vineyards-dessert-wines-for-fall/ How sweet. That we live where we live. So much is happening this weekend with the return of two major events: the Newport International Boat Show and the Newport Mansions Wine & Food Festival. Hope you can buy a boat at the show, then go to the Festival and celebrate with champagne! Laura Damon wrote […]]]>

How sweet.

That we live where we live. So much is happening this weekend with the return of two major events: the Newport International Boat Show and the Newport Mansions Wine & Food Festival. Hope you can buy a boat at the show, then go to the Festival and celebrate with champagne!

Laura Damon wrote an article last weekend in The Newport Daily News about apple picking in Newport County and the farms available to do so. Obviously a great family event. Apples are not the only fruits that can be picked as she mentioned pears and quinces. So his article feeds into mine a bit and that’s what most people do with these fruits other than eating them from trees? Clearly, for apples, it’s easy pies, pies, crisps. Pears, roughly the same way as apples. There are also peaches available locally, and peach cobblers come to mind. But these are all sweet desserts and what wines do we pair with these sweet confections? The rule of thumb for wines with dessert is that the wine should be sweeter than the dessert. Unlike the rules for white wine with fish and red wine with meat, the dessert rule is a bit harder to break. I’m always amazed at how well the general public thinks cabernet sauvignon and chocolate cake go together, ugh.

There are mainly five styles of dessert wines: sparkling, light and sweet, rich and sweet, sweet red and fortified. I want to focus on the light and the sweet, the rich and the sweet. On the way back from apple picking from Little Compton, stop at Carolyn’s Sakonnet Vineyards. They produce several types of dessert wines. The first is their NV Amrita which is a late harvest, light and smooth Vidal Blanc with medium body, aromas of peach, apricot and honeysuckle, perfect with pies and as an aside, excellent with blue cheese. Costs around $ 30.00 in a 750ml size. The white vidal is a hybrid grape variety that adapts well to our climate, can withstand our cold winters. They also make a winter wine in which the grapes are frozen and then crushed during freezing releasing the golden nectar and leaving the frozen water behind. It gives off aromas of white peach, apricot and butterscotch. It’s a richer, smoother wine that pairs perfectly with baked apples, fruit pies and crème brûlée. It will cost around $ 27 and also in a 750 size. These wines are creamy in the middle of the palate, which means they have weight and are creamier and are inexpensively priced.

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Sign your documents electronically without having to leave your office https://logprotect.net/sign-your-documents-electronically-without-having-to-leave-your-office/ Sat, 18 Sep 2021 06:44:15 +0000 https://logprotect.net/sign-your-documents-electronically-without-having-to-leave-your-office/ Signature markers are tools that help you build a brand online. Online endorsements are a quick and easy approach to signing authoritative agreements and records. Even though there is no conventional science around signature investigation, we can safely say that your brand and your calligraphy are your proclamations of character. All things considered, no one […]]]>

Signature markers are tools that help you build a brand online. Online endorsements are a quick and easy approach to signing authoritative agreements and records. Even though there is no conventional science around signature investigation, we can safely say that your brand and your calligraphy are your proclamations of character. All things considered, no one on the planet has a signature similar to yours.

We should perceive what your brand says about you by investigating different properties and seeing the brands (and styles of calligraphy) of the best fund managers of all time. Brand Creators (or Brand Generators) are online devices that you can use to create an online brand to sign the archive. You can draw or type your mark, edit it to make it exceptional, and upload it to sign an advanced case. Exceptionally legal online endorsements around the world and in different companies. Even though they are made through online brand generators, they cooperate like the “wet ink” brand on paper and can be used in court and legal action.

The importance of using signature creators:

Online signature creators are a basic, fast, and free tool that helps you make computerized marks on the web. This allows you to change, alter, sign, send or download your electronic mark anywhere using your cell phone or PC. Sign. cc is one of the most breathtaking signature producer organizations on the web that are accessible on the web and with their reliable administrations, there is no compelling reason to depend on faxing or sending reports or to take responsibility for printing them. You just need to sign each record online without leaving your work area.

There are several advantages to using the signature creator:

  • Profitable: monitoring, storing and managing paper archives is a huge consumption that should be made every year. With a brand creator, you don’t need to use paper or ink to re-sign your case. This reduces the money spent when you sign your file.
  • Fast and efficient: no compelling reason to print records to actually sign and scan the results. You simply share the folder by email to the tagging party to sign your report as directed effortlessly.
  • Safe: The use of electronic tags eliminates the risk of criminal report modifications and records, ensuring everything is secure. Carefully marked electronic records have an advanced seal that reveals the change that has been made.
  • User-friendly for capacity: The use of electronic records can create investment funds in the financial plan and more efficient use of space. All marked advanced recordings can be stored on your electronic gadget. Simple to follow and discover when you need it.

Sign documents with signature creators:

It is not difficult to get your report tagged on the web. You can also make your mark once with the Branding Generator and use it when and where you need it. Here are the ways to sign your case with the help of the online brand producer:

  • Step 1: Download the report you want. The mark generator supports PDF, DOC, XLS and JPG records. You can transfer documents from Google Drive, drive, box, or Dropbox.
  • Step 2: Create your brand. You can type, draw or transfer your mark and locate it anywhere.
  • Step 3: Upload or download your archive. You can see the archive once the mark shows up and sends it to another person or downloads it to your gadget.

Why should you use signature generation tools?

You just make marks once and use them whenever and wherever it is needed. The online signature creator can be used in legitimate, blog, word or pdf archives. Some normal designers like Loci offer legitimate and genuine related brands.

You can make marks in just a few moments whether you are in a rush or not, the creator of the mark will act like a hero. You can change the showcase as you wish to give your character.

With a note like this, your case will look more authentic and competent. Also, the brand generator can be used from any gadget like web, general purpose etc. which is extremely beneficial.

As the advanced world expands, everyone today has to sign a few different archives on the web. Usually, experts such as legal advisers, specialists, government officials, essayists or fraudsters.

When you change your brand, you can also use Sign for free. cc layouts for reference. Notwithstanding signing the format, you can also check different layouts, for example, tenant contract layouts, independent agreement layouts, transaction formats and others. From an assortment of formats.

Final result

This online brand generator will help you create an individual style. It can be well organized or a nasty brand that you use for quite a long time. These marks are then used in various authoritative reports, contracts, etc. What’s more, 500 Sign apps. cc offers all the most free archival tagging tools that can help you make your electronic dream come true. Photo or type your trademark, save and connect to your legal or pdf registration. Marks can help recognize the motivation of the person who made a legal agreement.

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Mubarak Hemoudi portrays Sudan’s legacy from the United States https://logprotect.net/mubarak-hemoudi-portrays-sudans-legacy-from-the-united-states/ Fri, 17 Sep 2021 08:19:36 +0000 https://logprotect.net/mubarak-hemoudi-portrays-sudans-legacy-from-the-united-states/ “There is no home for Sudanese painters, no contemporary art museum, no permanent exhibition space in Sudan.” Issam Abdel Hafeez An artist and art professor at the Sudanese University of Science and Technology Hemoudi complains about the lack of support for artists in Sudan, starting with infrastructure, especially the scarcity of galleries and exhibition spaces, […]]]>

“There is no home for Sudanese painters, no contemporary art museum, no permanent exhibition space in Sudan.”

Issam Abdel Hafeez An artist and art professor at the Sudanese University of Science and Technology

Hemoudi complains about the lack of support for artists in Sudan, starting with infrastructure, especially the scarcity of galleries and exhibition spaces, and ending with materials, such as paints, brushes and tools for sculpture and pottery. These conditions forced him to travel to the United States to make paintings that reflect the heritage of Sudan.

“I made most of my paintings outside of Sudan due to the lack of materials needed to produce these designs,” he said.

Most Sudanese artists are forced to leave the country due to the lack of capacity and exhibition space in the country’s cultural centers, according to Hemoudi. (See two related articles, “For Sudanese artist Mohammad Omar Khalil, black is everywhere” and “The art book series explores what it is to be an Arab artist.”)

Abdel-Hafeez agrees with the lack of state support for Sudanese artists, despite their global contributions.

“There is no home for Sudanese painters, no contemporary art museum, no permanent exhibition space in Sudan,” he said, adding that some ministries and official bodies were exhibiting inexpensive paintings from Chinese manufacture like those sold as house. decor.

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Finally, Hemoudi aspires for the government to support artists to promote the level and presence of Sudanese art beyond the Arab region.

“Sudanese art must restore its past glory of previous decades,” he said. “The many young Sudanese talents must be invested in organizing exhibitions inside and outside the country. “

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The model emperor of the Chinese Communist Party https://logprotect.net/the-model-emperor-of-the-chinese-communist-party/ Thu, 16 Sep 2021 21:24:14 +0000 https://logprotect.net/the-model-emperor-of-the-chinese-communist-party/ Sep 18, 2021 WHAT WITH his dozens of concubines, his obsession with collecting precious jade, and his penchant for inscribing his own (not so good) poems on ancient paintings, Emperor Qianlong makes an unlikely hero for the Chinese Communist Party, especially the one led by Xi Jinping, a severe ascetic. Qianlong was a man of […]]]>

WHAT WITH his dozens of concubines, his obsession with collecting precious jade, and his penchant for inscribing his own (not so good) poems on ancient paintings, Emperor Qianlong makes an unlikely hero for the Chinese Communist Party, especially the one led by Xi Jinping, a severe ascetic. Qianlong was a man of formidable intelligence and willpower, whose long reign from 1736 to 1795 marked a culmination of the Qing Dynasty. But he was also a conservative aristocrat, from his passion for genealogy to his love of bow hunting on horseback, an archaic pastime already at the time.

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Chaguan was therefore surprised to hear an official historian praise Qianlong in terms that would make a Politburo member blush. The scholar, Wang Xudong, heads the Palace Museum in Beijing, as the Forbidden City is officially known. During a government-sponsored press tour, Wang described the former emperors as hardworking statesmen who “wanted their empire to be stable and prosperous.” Unsolicited, Wang denied that the geomantic design of the Forbidden City, with a hill behind it and a river in front, was a form of superstition. Feng shui is a tradition of common sense, he argued: everyone wants to shelter from the wind and have water nearby. As for the palace temples dedicated to ancestor worship, “China is a country devoted to families,” he appeased, as if he had a duty to minimize any contradiction between imperial wonders and the modern power of an atheist party. Your columnist asked about two very popular drama series set in the Qianlong court, which were launched by state television channels in 2019 after state media complained about the “negative impact” of the media. Imperial sagas filled with poisonings, betrayals and extravagant life. These so-called Qing dramas are “cultural pollution,” Mr. Wang snorted. Why can’t they show examples of good governance by the emperor, or that princes and princesses were diligent and studious, he asked? “These are lessons our children can learn. “

Tributes to favored emperors are nothing new. As the party replaced Maoist fervor with Chinese nationalism in the 1980s and 1990s, Qianlong was rehabilitated as a nation builder. Through a mixture of diplomacy, wars and campaigns to crush distant rebellions, Qianlong added vast territories to his empire, notably in Tibet and Xinjiang. His reign was declared the height of the Qing Dynasty before, as the textbooks say, the empire fell into decline, subjected China to a century of humiliation at the hands of foreign powers, and collapsed in 1912. Recalling the shame of the past remains useful for official historians, who praise the party for finally making China strong. But accounts of late Qing weakness are increasingly offset by tributes to earlier glories. Today’s party sees the benefit of presenting itself as the heir to a particularly wise – and typically Chinese – civilization that dates back 5,000 years. For Mr. Wang, a vice-ministerial official, the Forbidden City is the proof, in wood and stone, of this cultural exceptionalism. “If you did not have 5,000 years of civilization, you would not have a socialism with Chinese characteristics,” he said, calling the party “a faithful heir and protector” of this glorious past.

On August 24, the party’s supreme leader Mr. Xi visited a dear site in Qianlong, an imperial summer retreat in Chengde, in the cool, wooded hills north of Beijing. Mr. Xi visited the Puning Temple, a Buddhist complex built in a mixture of Tibetan and Han Chinese styles. This architecture celebrates Qianlong’s crushing of a revolt by Mongol nomads who practiced Tibetan Buddhism. While inspecting the red pillared halls of Puning, Xi stressed one of his priorities, the need to “sinise” religions, that is, to make them Chinese in their orientation so that, according to his words, they are more consistent and serve the needs of a socialist society. Next, Xi explored a new exhibit at the Chengde Museum that praised Qianlong in language that could have come directly from the People’s Daily. The museum’s panels explain that Qianlong “improved the management of Tibet by the central Qing government, quelled multiple episodes of conflict between separatists in Xinjiang, and further united this multi-ethnic country.”

Chaguan visited the museum a few days later. He presents Qianlong as the embodiment of a virtuous Chinese ruler, whether it is honoring ancestral rites by organizing autumn hunts or introducing policies to “unify all ethnicities”. There are reproductions of his Mandarin calligraphy and images of him in Chinese imperial robes. In fact, Qianlong was a member of the Manchu nationality, like all Qing emperors. The Qing won the throne by overthrowing a Chinese dynasty, the Ming. Qianlong wanted her hunt to preserve the traditions of her nomadic warrior ancestors, calling it “the best way to train the Manchus.” It was open to Manchu nobles and soldiers, as well as some Mongol allies. Like many sacred Qing institutions, hunting was primarily closed to Han, the majority Chinese nationality. The Han Chinese lived as subjects in a Manchu-ruled empire, prohibited by law from marrying Manchus, and often living in separate quarters of the city.

Rename the Manchu multiethnic empire to “China”

Such ethnic divisions and hierarchies complicate the boasting of about 5,000 years of continuous Chinese civilization. Official historians respond by saying that the Qing admired Han culture so much that they immediately assimilated into it, becoming the latest in an unbroken line of Chinese rulers. The imperial records in the Manchu language clearly show that it is too careful: the Qing have retained a hybrid identity.

The exhibition in Chengde is a puzzle. Important enough to attract Mr. Xi, it has an easily debunked story. The solution lies in another wall panel, which praises Chengde as a monument to the Qing Dynasty’s “historic feats” of “pacifying and consolidating the border regions”. Two intensely political ideas are hidden in this scholarly statement. First, the term “consolidation” reflects the party’s assertion that Tibet and Xinjiang have always been Chinese and therefore were reclaimed, not conquered, by the Qing. Second, for the security-obsessed tough men who rule China, pacifying the troubled regions is a supremely patriotic act. This makes Qianlong a model worker.

This article appeared in the China section of the print edition under the headline “The Model Party Emperor”

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Discover the new Photos application https://logprotect.net/discover-the-new-photos-application/ Thu, 16 Sep 2021 18:00:00 +0000 https://logprotect.net/discover-the-new-photos-application/ Windows 11 is very close to general release, with Microsoft setting the release date for October 5. Soon a lot of us will be using the brand new operating system and there is a lot of new stuff, so it’s good to know how things work in this new version. For Windows Insiders, most of […]]]>

Windows 11 is very close to general release, with Microsoft setting the release date for October 5. Soon a lot of us will be using the brand new operating system and there is a lot of new stuff, so it’s good to know how things work in this new version. For Windows Insiders, most of the new features are already previewed, but for everyone else, we’re here to help. We’ll take a closer look at what’s new in Windows 11, and this time around. we are focusing on the new Photos app.

Like many other apps built into Windows, the Photos app receives upgrades for Windows 11, although not all of the changes are as significant as some of the other apps that have received upgrades. Still, there are some notable UI changes and new features that are definitely worth considering.

Home page and photo sections

When you launch the Photos app, it won’t immediately be much different from the Windows 10 version. In fact, most of the content here isn’t new – only the user interface has been changed slightly. You start on the Collection page, which shows you every image stored on your PC and OneDrive (if you have a signed in Microsoft account). These are displayed in chronological order and you can see a timeline on the right side of the app window. At the top, there is a set of AI-based photo groups, which are based on themes, dates, or locations.

In the top left corner of the app, you can choose from other views.

  • Albums allows you to view albums that you have created yourself, as well as all albums created automatically by the Photos app based on dates, locations, etc.
  • The People tab uses AI to recognize people (if you enable it) in your images and groups all images of the same person together.
  • The Files The tab lets you see the folders on your device or OneDrive, so you can browse your photos in a more traditional way.

There’s also the video editor, but we’ll get to that later. Next to the different tabs is a search bar, allowing you to search for people, places or things in your photos to find them more easily.

Finally, in the right corner are a few more options. The New The button allows you to start a video project or create a video automatically based on the images you choose, import a backup video project or create a new album. There is a Import to add images to your library, especially from external devices, and the ellipsis button provides additional options such as accessing app settings or starting a slideshow of the images in your current view .

Viewing pictures in the Windows 11 Photos app

The Image Viewer in the Windows 11 Photos app is where most of the edits are if you’re already familiar with the Windows 10 app. As you might expect, opening an image takes up the entire window. of the app, but now you have a button near the top right corner that allows you to make that image full screen. Of course, this is far from the biggest change.

Viewing an image in the Windows 11 Photos app

Near the top and aligned in the center, there is the new toolbar where you can find common options. Here you can zoom in and out, rotate, edit or draw on an image. You can also delete it, add it to your favorites, or view information about the photo, such as when and where it was taken, which camera was used, and more.

The ellipsis button gives you many other options like printing, copying image to clipboard, resizing, setting image as desktop background, etc. You can also make more “advanced” edits, like adding 3D animation or text to an image, which turns it more into a video.

One great feature that is revealed in this menu, however, is extension support. You will be able to download extensions from the Microsoft Store to enhance the image editing capabilities of the Photos app. It is not yet clear what these extensions might be, but we might have a better idea soon.

Toolbar Options in Image Viewer

This is not all that is new either. Near the bottom of the image, there is a carousel showing more images from your library. The images shown here are the same as you would see in grid view before opening an image, and you can easily switch between different images that way.

Another thing you can do is select multiple images and display them all on one screen. This can be useful when choosing your favorite images from a group, especially if some of the images look the same. You can easily delete images or add them to your favorites this way, but you can’t do any other action when viewing multiple images at once.

Viewing multiple images in the Windows 11 Photos app

Edit pictures in the Windows 11 Photos app

The image editing experience is also the same in Windows 11’s Photos app compared to Windows 10. Aside from the UI tweaks we see everywhere else on Windows 11, this is exactly the same. same thing. Of course, it’s possible that new tools will be added with extensions, but we don’t know what that will look like yet. There are many editing tools available in different places, so we’ll go through them separately.

Basic modifications

When you click on the Edit image In the toolbar mentioned above, you get three sets of options near the top of the app window, aligned in the center. The first set is for cropping or rotating the image. You can choose from different image formats or custom size, straighten the image, rotate or flip it.

The second set of options includes a variety of filters, as well as the ability to automatically enhance your image. This will adjust the brightness, contrast, and sharpness, and you can choose the intensity of the enhancements to make it look you want. Filters apply different color effects to the image, and you can also adjust their intensity as you like. Finally, there is the set of “settings”, where you can manually adjust the brightness and saturation of the image. You can also increase or decrease the clarity or add a vignette.

Design

If you want to draw on one of your images, you must click on the button To design when using the image viewer. You can choose whether you want your scribbles to look like a ballpoint pen, pencil, or calligraphy pen, and each option lets you choose from a variety of colors. You can also adjust the thickness of the pen. Of course, there is also an eraser if you need it.

Draw on a picture in the Windows 11 Photos app

3D effects and animations

Another way to edit photos (and videos) is to add 3D objects, animations, or animated text. It turns your photo into a short video. To get started, click the ellipsis button in the image viewer, then go to Edit more and choose what you want to add. If you choose Add 3D effects, you can add animations like rain or fire to the picture, as well as 3D objects. If you choose to add animated text, you can add text in different layouts, zoom or pan effect, and apply filters to the image.

The video editor in Windows 11 Photos

Finally, let’s take a look at the video editor in the Windows 11 Photos app. Again, this is something that hasn’t really changed since Windows 10, other than the overall UI tweaks. You’ll see rounded corners and new icons, but nothing has changed other than that. When you switch to the Video Editor tab, you can create a new video project or see your most recent ones.

Once you have opened a project, you can add images and videos to its library, and from there you can add them to the “storyboard” or the video timeline. You can choose how long still images are displayed and for videos, you can crop them or increase their playback speed.

Just like with the image editor, you can add 3D effects, motion, text, and more to individual objects on the storyboard. In videos, you can even attach 3D effects to a specific point in the video so that it stays in one place as you move. You can also create animated title cards and add them to different points in the video.

In the upper right corner, you can also add background music to the video. You can choose from a selection of included music styles, or you can add custom sound such as your own music or narration for the video.

The ellipsis menu also has additional options, such as adding a theme to the video, which includes music, effects, and title / text card styles. If you have created title cards and text effects before, this will also apply to them. You can also change the aspect ratio of the video, although here you can only choose between 16: 9 and 4: 3.

Once you’ve added everything you wanted and made all the edits, you can export the final video using the End the video button near the top right corner. You can choose to export to 540p, 720p, or 1080p, depending on the quality and file size you are targeting.

Settings

To round things out, let’s take a quick look at the app’s settings. You can access it using the ellipsis menu. There are some noteworthy settings here, such as the ability to turn off viewing images from your OneDrive cloud storage. You can also choose to show pictures from all your OneDrive folders or just the default Pictures folder.

Other options include showing duplicate images in a single file, turning people recognition on or off in Photos, turning automatic albums on or off, or changing how the jog wheel works. mouse. One option available here that won’t work is to change what the app’s thumbnail displays because Windows 11 has no more thumbnails. This is a holdover from Windows 10, and it should be removed at some point in the future.

That’s pretty much all you need to know about the Photos app in Windows 11. Not much that has changed with the Windows 11 update, but the changes are welcome. The new toolbar and the ability to display multiple images at once are certainly welcome. We have yet to see what extensions can add to the capabilities of the app, but the potential is also exciting.

Want to learn about these and other features of Windows 11? We have a list of all the PCs that will support Windows 11 upgrade, and you might also want to check the system requirements.

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Night & Day // September 15-21, 2021 https://logprotect.net/night-day-september-15-21-2021/ Wed, 15 Sep 2021 23:34:45 +0000 https://logprotect.net/night-day-september-15-21-2021/ Thursday September 16 In honor of National Hispanic Heritage Month, Artes de la Rosa proudly presents An evening with Carlos Santos 6 p.m. to 9 p.m. to Marine Rose Theater (1440 N Main St, Fort Worth, 817-624-8333). Originally from Puerto Rico, Santos is an actor / comedian best known for playing Chris Morales in the […]]]>

Thursday September 16

In honor of National Hispanic Heritage Month, Artes de la Rosa proudly presents An evening with Carlos Santos 6 p.m. to 9 p.m. to Marine Rose Theater (1440 N Main St, Fort Worth, 817-624-8333). Originally from Puerto Rico, Santos is an actor / comedian best known for playing Chris Morales in the Netflix original series. Gentified. Along with the screening of an episode, participants will participate in a one-on-one conversation with Santos. Participation is free, but RSVP is required through Facebook.com/ViveADLR/Events.

Friday September 17th

From 8 p.m. to midnight Wednesday to Saturday, meet in the new location in Arlington, Black Box 215 (215 E Front St, @ Blackbox215), for International Pop reversal. Each night, IPO features artists from Arlington and beyond, including tonight’s lineup from John Dufilho of The Deathray Davies with The Hungry Onions, The Instant Losers, The Pengwins, and more. Another exceptional night is Saturday with SpyderPop artist Danny Wilkerson with Lannie Flowers Band, John Stevens and The Used Electrics. Admission to each show is $ 5 at the door. For the full list of artists, see the event page on Facebook.com/DavidBash.IPO4Ever.

Saturday, September 18

Every half hour from 10 a.m. to 3 p.m., time slots are available to attend the Wedgwood Houses Parade 2021 presented by the Wedgwood Historical Association. See mid-century architecture, automobiles, dress styles and furniture from the 1950s and 1960s, and listen to live vintage music as you tour four homes in this historic southwest Fort Worth neighborhood. Interior tickets cost $ 20, while exterior tickets cost $ 10. For more information and to pre-order tickets, visit WedgwoodHistoricalAssociation.org.

Sunday, September 19

From 1 p.m. to 5 p.m., meet at Shwe Phone Pwint Dhamma Center (200 Williams Rd, Fort Worth, 469-321-2992) for the next Myanmar Ethnic Community Food Fair and Fundraising Event. Food tickets are $ 5 and raffle tickets are $ 10 per gates entry. In addition to food and music, there will be a chinlone tournament. (Also known as ‘caneball’, chinlone is the national sport of Myanmar / Burma). For more information, visit Facebook.com/DFWMyanmarEthnicCommunity.

Monday, September 20

From 7 p.m. to 9 p.m., Funky Picnic Brewery and Café (401 Bryan Av, Ste 117, Fort Worth, 817-708-2739) is hosting its first Oktoberfest beer dinner of the season. Five German-style courses – including kasespatzle, currywurst, hirschruncken met schoko, schnitzel, and schwarzalder kirschtorte – will be accompanied by five Funky Picnic beers. Tickets are $ 55- $ 75 on BuyTickets.at/FunkyPicnicBrewryCafe/564094 until 5 p.m. on Friday. (For more Oktoberfest events, return to this week’s ATE DAY8 A WEEK column in Eats & Drinks.)

Tuesday September 21

If you’re thrilled with #PumkinSpiceSeason and want to learn some calligraphy, we’ve got the event for you. From 6.30 p.m. to 8 p.m., join Sip and write – a calligraphy company specializing in calligraphy / lettering courses – at Grands Crus Wine Bar (1257 W Magnolia Av, Fort Worth, 817-923-1717) for Modern calligraphy and pumpkin lettering. Tickets cost $ 65 per person on SipeandScript.com and come with a beginner’s calligraphy kit, writing practice materials, and a mini pumpkin to decorate. It’s all up to you to keep at the end of the night.

Wednesday 22 September

If you experience a sudden change in barometric pressure, fear not. It’s just Best of 2021 hit the stands. Please take one. In the meantime, if you feel the need to promote your business in this souvenir edition, one of our friendly salespeople would love to be in touch. To get started, visit FWWeekly.com/Adverise-With-Us and use the form by Friday, September 17th. #PromotionalPost #AdvertiseWithUs #YouKnowYouWantTo

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To move a party: On Artweeks @ Akaretler https://logprotect.net/to-move-a-party-on-artweeks-akaretler/ Mon, 13 Sep 2021 12:27:18 +0000 https://logprotect.net/to-move-a-party-on-artweeks-akaretler/ Despite the bald commercialization climate, Artweeks @ Akaretler’s prolific multi-gallery fairground vibe has some historic, if not entirely critical, academic or curatorial appeal. The collections of so many galleries, and even private companies, are, so to speak, on display, revealing an enviable degree of insight into the history of the art world in Turkey – […]]]>

Despite the bald commercialization climate, Artweeks @ Akaretler’s prolific multi-gallery fairground vibe has some historic, if not entirely critical, academic or curatorial appeal. The collections of so many galleries, and even private companies, are, so to speak, on display, revealing an enviable degree of insight into the history of the art world in Turkey – that a monthly solo or group exhibition could not to encompass due to dedication. its conceptual orientation or its commitment to a specific collection.

In the airy strip of chic apartments in Istanbul’s Beşiktaş district, an assortment of artwork adorns the floors and walls, cleanly presented and timed to coincide with the reopening of the new art season, as the Istanbul’s summer atmosphere cools off and invites people inside, comforted by the opportunity to see the fruits of local creators in dialogue with the international cultural establishment. A striking observation, literally the translation of “Rasat”, a curation by Sinan Eren Erk at Yıldız Holding, concerns a piece by Halil Altındere next to a Picasso.

An exterior view of Artweeks @ Akaretler, Beşiktaş, Istanbul.

Last year, Altındere, a die-hard art satire con artist, produced a miniature folding book titled “Sultan Süleyman’s Advocate Going to Friday Prayer” (2020). This is a strong adaptation of the traditional Islamic arts of miniature and calligraphy, a series of 14 watercolors and gold on vegetable-dyed paper with a hand-made “muraqqa” (a miniature painting technique). Most of the paintings show men dressed in lavish Ottoman palace costume walking as they might have done four hundred years ago. But here and there, there are twists and turns of the 21st century.

A man in a robe with a large, conical feathered hat rides an electric scooter, the type normally seen among tourists on their way to discover his very outfit, or likenesses of it, in works of art. art similar to the one Altindere cited for his humorous invention. To conclude the illustrations, a group of multicolored young people dressed in contemporary clothes stand behind a sign that reads “Vegan”. Cognitive dissonance is as brilliant as the artist’s technical precision. The Indian ink sketch, Picasso’s “Picador in the Arena” (1959) has an eastward relevance alongside Altındere’s perspectives.

An untitled play by Aylin Zaptçıoğlu, 2020.

An untitled play by Aylin Zaptçıoğlu, 2020.

In this same room is a photograph modified according to the Japanese style “kintsugi” of the broken pottery. The image, of Sarkis Zabunyan (known as Sarkis), depicts the interior of the Hagia Sophia Grand Mosque in Istanbul. The seasoned Parisian artist from Istanbul produced the piece in 2021, although his methods are directly linked to his solo exhibition, “Untitled”, staged at Dirimart at the end of 2020. The decontextualized replay of these pieces, after their institutional curation, could spark debates on art as merchantable objects, a criticism that has raged since time immemorial among artists, dealers and collectors.

Like a canvas stretches

Another Istanbul artist, although from a younger generation, has a more neutral, but also personal, approach to the legacy of miniature painting as it reappears in contemporary art. Yuşa Yalçıntaş, represented by Pi Artworks, jumped from the ground of his previous works, experimenting with his curious architectural geometries that touch on themes apparent in the ancient Turkish cultures of Central Asia. Under the title “House Kite” (2021), his figurative design centers a yurt adorned with rugs at the end of kite ropes piloted by children.

When considering the public exhibition of “House Kite” by Yalçıntaş, the importance of Artweeks @ Akaretler increases as a forum for previewing the works of young artists before their official exhibition. This is a glimpse into the still-uncovered worlds of creative adventure, which is particularly spectacular to note after the unprecedented degree of introversion artists use as fertile ground to inspire visionary growth. This organic and worn metaphor is not lost on abstract ceramist Burçak Bingöl, whose installation “Cargo” (2019) is refreshing and eccentric.

“Sky” by Seda Hepsev.

As part of the Zilberman Gallery’s addition to the fair, Bingöl’s delicate wooden shelves contain a library of shiny clay items, perhaps once practical cups and jars, covered in layers resembling coral. of what looks like marine minerals, but with a sort of dysphoric discomfort reminiscent of industrial waste sludge, discolored and almost grotesque. Bingöl animates objects with a deadly glow. His ceramics are like bodies exhausted, weighed down and sickened by the massive corruption of materiality in the wake of capitalist overconsumption.

On the other side of the spectrum, Antonio Cosentino, a Turkish artist of Italian descent, reuses found materials to create vessels, crafts, and characters for his fictional universe of stories, maps, and personalities. He is a wide-eyed literary artist with a penchant for history, and his works are the product of his imagined sets, designed from time to time in the context of a performance. One of his favorite materials, tin, forms the structure of his immaculate miniature car, “Ferâre” (2015), parked under his pop-veined oil paint, “Butcher Cemal” (2011).

The predominance of craftsmanship over concept, of fabrication over thought is perpetually supported by artists like Yalçıntaş, an old school draftsman, and by painters, who remain in force on the Istanbul art scene, such as This is evidenced by Artweeks @ Akaretler, particularly in the apartment hosted by X-Ist, where Aylin Zaptçıoğlu’s oils detail his fantastic and supernatural imagination. Her untitled canvas depicts a girl racing an excited dog as her feet are planted in the frozen splashes of puddles. Their monochrome and gray coloring stands out against a pink background.

Antonio Cosentino.  Boucher Cemal (2011) and Ferâre (2015) 111

Antonio Cosentino. Boucher Cemal (2011) and Ferâre (2015) 111

Zaptçıoğlu’s canvas hangs alongside a quartet of smaller paintings, each exuding the fairy dust of legend, like meticulous snapshots of a teenage mind addicted to tales of fictional lands, artifacts, dreamlike in their phenomenal mirror. In the same room, a trio of oil paintings by Seda Hepsev are more everyday, but elicit a visual sensation of the sublime in the perfectly round textures of his palpable, palpable colors. The knot of a curtain becomes voluptuous in her hands, its contours quite sensual.

By all means

One of the most exciting views of Artweeks @ Akaretler is curated by the Pilevneli Gallery, specially to exhibit paintings by Ali Elmacı, Tarık Töre and Erdoğan Zümrütoğlu, whose brash styles stand out not only from their generation, but also of their coloring outside the comfort zones of the aesthetic decor. , but by Pilevneli as a gallery with a powerful voice, bridging the gap where pop art meets critical sophistication. Töre and Elmacı share an affinity for the cheeky, cartoonish portrayal that evokes the sport of video games and social media saturation.

Zümrütoğlu is an abstract expressionist in the broad sense, although he often places more emphasis on the abstract, his color fields are dominated by shifting shapes that seem to bend and assimilate recognizable objects, only to fall into the faded blurs of his palette. generously vibrant, teeming with touches of formal potential that prompts seers to think for themselves of what might have been if the artist had wanted to capture it. But fleeing the absolutism of ready-made semblants is cathartic at a fair filled with mostly rectangular objects that cry out for attention under the blinding white lights of art’s irrational popularity.

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Josephine DeBarr | News, Sports, Jobs https://logprotect.net/josephine-debarr-news-sports-jobs/ Thu, 09 Sep 2021 04:27:51 +0000 https://logprotect.net/josephine-debarr-news-sports-jobs/ Josephine “Joey” L. DeBarr, 73 from North Canton, OH, was born on Memorial Day and left this world suddenly on Labor Day, September 6, 2021 following a brief illness. She always thought the parades were for her birthday. Joey was kind, gentle, generous, loving, intelligent, pretty; but above all, a daughter, a sister and a […]]]>

Josephine “Joey” L. DeBarr, 73 from North Canton, OH, was born on Memorial Day and left this world suddenly on Labor Day, September 6, 2021 following a brief illness.

She always thought the parades were for her birthday. Joey was kind, gentle, generous, loving, intelligent, pretty; but above all, a daughter, a sister and a faithful friend.

Joey was the youngest daughter of Anna C. (Downs) DeBarr and the late Reverend Duran L. DeBarr.

Joey graduated 55 years ago from Wellsburg High School with the Class of 1966. She graduated from Roberts Wesleyan College in 1971; graduated from Brockport State University, New York in 1976; and later, she received her training in clinical pastoral care at Fairview General Hospital in Cleveland, Ohio. Over the years she has worked at Roberts Wesleyan College, Dean of Women at Malone College, Ohio Mentor, Edwin Shaw, and her most loyal service as a chaplain at Akron General Medical Center / Cleveland Clinic, retiring in 2018. Joey was passionate about blood and a plasma donor. She was also known for her talented and magnificent style of calligraphy. Her faith was of the utmost importance to her and was a member of the Holy Cross Lutheran Church and was active in many other spiritual programs.

In addition to his 94-year-old mother, Joey is survived by his three sisters, Judy (Ronnie) Penrod of Follansbee, Linda (Rich) Smith of South Carolina and Janet Leary of Follansbee, three nephews and a niece with an extended family. beloved for over 30 years, the David & Sandra Johnson family, where she was proudly called “Nana” by 11 children, grandchildren and great grandchildren.

Family and friends will be received on Friday, September 10, 2021 from 4:00 p.m. to 6:00 p.m. at Holy Cross Lutheran Church, North Canton, Ohio and again on Saturday, September 11, 2021 from 10:00 a.m. until the time of service. at noon at James Funeral Home, Follansbee, WV, with Rev. Steven Hlatky officiating.

In lieu of flowers, donations in his memory can be made to the American Bible Society – Charity, Roberts Wesleyan College, DeBarr Scholarship Fund or Holy Cross Lutheran Church, North Market Avenue.

Please add or post your condolences, photos and stories on www.chambers andjames.com, including the live funeral service broadcast.

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Reconstruction of the Sursock Palace in Beirut https://logprotect.net/reconstruction-of-the-sursock-palace-in-beirut/ Sat, 04 Sep 2021 05:00:43 +0000 https://logprotect.net/reconstruction-of-the-sursock-palace-in-beirut/ “We are going to restore the palace as it was before, we must,” says Roderick Sursock Cochrane in the guesthouse located on the grounds of the Sursock Palace, his family home in Beirut. He has lived there with his wife, Mary, and daughter, Ariana, since the devastating explosion at the port in August 2020. In […]]]>

“We are going to restore the palace as it was before, we must,” says Roderick Sursock Cochrane in the guesthouse located on the grounds of the Sursock Palace, his family home in Beirut.

He has lived there with his wife, Mary, and daughter, Ariana, since the devastating explosion at the port in August 2020.

In addition to razing parts of eastern Beirut, the force of the explosion shattered almost all the windows and doors of the three-story palace. Delicate plasters were torn from the ceilings and statues lost their heads. When the roof was blown off, the old books in the library were left on display.

Sursock Cochrane’s mother, Lady Yvonne Cochrane, 98, who had fought for a long time to preserve Beirut’s heritage, was in the palace on the day of the explosion and was seriously injured. She died a month later, one of more than 200 victims who lost their lives.

Lady Yvonne Cochrane died on August 31 from injuries sustained in the explosion at the Port of Beirut. She was 98 years old

The Lebanese aristocrat had been married to Desmond Cochrane, an Anglo-Irish baron who inherited the Woodbrook estate in Wicklow and died in 1979. Lady Cochrane however lived in Sursock Palace all her life, including during the Civil War which raged in Lebanon from 1975. -1990.

“It’s amazing how dedicated she was to safeguarding Lebanon’s heritage,” says Nabil Saidi, a friend of the Sursock family.

“Whenever I saw her, she was always campaigning and talking about houses to save.”

After acquiring a house on North Great George’s Street in Dublin, Saidi became a member of the Irish Georgian Society and organized a trip to Lebanon and Syria for the society in 1999 (before the war in Syria made such a thing impossible).

While the tour was in Lebanon, Lady Cochrane gave a talk on the preservation of heritage houses in Lebanon and hosted a dinner for the group of visitors on the palace terrace which included Lebanese politicians and prominent figures from society, including Dory Chamoun, son of Lebanese President Camille. Chamoun.

Sursock Palace, Beirut.  Photography: Ferrante Ferranti

Sursock Palace, Beirut. Photography: Ferrante Ferranti

A room in Sursock Palace before the port explosion.  Photography: Ferrante Ferranti

A room in Sursock Palace before the port explosion. Photography: Ferrante Ferranti

Chamoun’s younger brother, Dany, had been assassinated a few years earlier at the end of the civil war and Saïdi recalls a touching moment at the dinner where one of the Irish visitors sang Danny Boy. Chamoun, then a prominent politician in Lebanon himself, invited the group to visit his family’s residence in the Chouf mountains.

The Sursocks were originally traders from the Ottoman Empire. Their influence is evoked by the frequent appearance of their name on the buildings around Ashrafieh, the wealthy district occupied by the palace. The address is indeed rue Sursock.

Sursock Cochrane’s great-grandparents, Anastasia and Moussa Sursock, built the residence in 1860 with the help of the Balyans, a family of Turkish-Armenian architects who worked for the Ottoman sultans.

A large landscaped garden surrounds the palace – a rarity in a part of Beirut where any open space is vulnerable to the construction of a building.

The first and second floors of the building have central lounges surrounded by marble arches. The lower salon was more protected from the force of the harbor blast than the upper salon, requiring extensive restoration of the ceiling and supporting structures.

Interior of Sursock Palace, Beirut after the port explosion.  Photography: Ferrante Ferranti

Interior of Sursock Palace, Beirut after the port explosion. Photography: Ferrante Ferranti

Sursock Palace, Beirut after the port explosion.  Photography: Ferrante Ferranti

Sursock Palace, Beirut after the port explosion. Photography: Ferrante Ferranti

Several living rooms, dining rooms, bedrooms and a library were divided into various apartments when the palace housed more Sursocks.

“Moussa had a lot of kids,” says Mary Sursock Cochrane, “and everyone wanted their own bedroom and living room.

When Lady Cochrane was younger and the house was full of various aunts, they had an open table for lunch.

“Every diplomat or anyone of any importance visiting Beirut would come to visit my great-aunts, my grandmother or my mother’s first cousin, Linda Sursock,” explains Richard Sursock Cochrane.

Despite the many children of her grandfather, Lady Cochrane became the sole heir to the palace.

“My aunt Isabelle has decided to buy back all her siblings and give her share [of the palace] to my mother, so she inherited everything, ”he says.

Lady Cochrane’s father Alfred was an art collector with a strong taste for 16th and 17th century Italian paintings and making a statement. In 1915, he commissioned a new door for the palace from Gebran Dimitri Tarazi, a member of a family of craftsmen from Beirut who furnished the homes of elites in the Middle East.

Inspired by French archaeologist Émile Prisse d’Avennes and his research on ancient Egypt, Gebran designed a unique double-leaf brass door for the palace that mixed Egyptian, Damascene, Islamic and Turkish styles.

Reinstallation of the main gate of the Sursock Palace.  Photography: Maison Tarazi

Reinstallation of the main gate of the Sursock Palace. Photography: Maison Tarazi

One side of the door was richly decorated with floral motifs and Arabic calligraphy proverbs, while the other side was left unadorned.

“The decorative side faced the outside but was reversed during the [civil] war to protect it, ”says Sursock Cochrane.

The statue is one of a pair that was part of a series titled

The statue is one of a pair that was part of a series titled “One Hour of the Night” at Sursock Palace, Beirut. Photography: Hannah McCarthy

A broken statue dating from around 1860 by neoclassical artist Joseph Pollet 1814-1871.  Photography: Hannah McCarthy

A broken statue dating from around 1860 by neoclassical artist Joseph Pollet 1814-1871. Photography: Hannah McCarthy

When Gebran’s great-grandnephew Camille Tarazi visited the palace after the port explosion, he discovered that the door leaves, each weighing 150 kg, had been broken into many pieces by force. of the explosion. Thanks to funding from a group in France and Maizon Tarazi, the family business Tarazi, the door was repaired and reinstalled before the summer.

The damage to the palace’s furniture collection was assessed by a representative from Mobilier National, the French Furniture Institute, who visited Beirut earlier this year. Of particular historical importance are the Flemish tapestries from the 15th and 16th centuries collected by Alfred, as well as several French armchairs from Aubusson.

Two priceless works of art by Artemisia Gentileschi, one of the few female artists of the Baroque period, were partly torn apart by the explosion and are being restored in Italy.

In the aftermath of the port explosion, “everyone came to us,” says Mary Sursock Cochrane, “every embassy, ​​every NGO”. So far, only a few organizations have committed to funding the significant conservation work required.

“In a way, it was like we had peepers coming just to take a look. There was probably an intention to help but no funds, ”she says.

The year before the port explosion had already put considerable pressure on the resources available to maintain the palace and its contents.

A chandelier at Sursock Palace in Beirut.  Photography: Hannah McCarthy

A chandelier at Sursock Palace in Beirut. Photography: Hannah McCarthy

A portrait of Lady Yvonne Cochrane Sursock hangs in the lower parlor of Sursock Palace.  Photography: Hannah McCarthy

A portrait of Lady Yvonne Cochrane Sursock hangs in the lower parlor of Sursock Palace. Photography: Hannah McCarthy

When the Covid-19 pandemic hit, hyperinflation and a banking sector on the brink of collapse were already ravaging the Lebanese economy. The pandemic has resulted in the cancellation of private events normally held at the palace, while the economic crisis has reduced income from the family’s rental properties in Beirut.

Since the restoration project will cost millions, the family decided to convert the palace into a private museum. It will remain a family home but will also serve as a cultural center, hosting exhibitions and group visits.

An aerial view of Sursock Palace in Beirut after the August 2020 explosion. Photograph: Haytham Al Achkar / Getty

An aerial view of Sursock Palace in Beirut after the August 2020 explosion. Photograph: Haytham Al Achkar / Getty

The gardens of Sursock Palace.  Photography: Hannah McCarthy

The gardens of Sursock Palace. Photography: Hannah McCarthy

RestArt Beirut is helping transform the palace into a private museum and a classical concert was held at the palace earlier this year to raise funds.

“The palace is very prestigious but there are a lot of responsibilities attached to it,” says Sursock Cochrane. “I feel like the keeper of the family or the curator maybe.”

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